Who Will Be The Coronation Queen?

Day 4 sees this year’s leading three-year-old fillies take centre stage in the mile Group 1 Coronation Cup.

Sky Lantern, winner of the 1,000 Guineas, and Just The Judge, winner of the Irish 1,000 Guineas, are the clear picks on form, but neither have been done any favours by the draw.

Many judges are preferring to go with Big Break, who ran on well to finish fourth in the Irish Classic on her first run of the year after herself having a poor draw, while French-based pundits have always thought Siyenca would be their best chance of success this week – and she has a good stalls position in four. She had disastrous run in the Poule d’Essai des Pouliches, and is considered to be a far better filly than that performance showed.

The Irish-trained filly Viztoria is also one to put into the mix as a rapidly improving filly, but Sky Lantern has shown exemplary form so far this year and if Richard Hughes can find some cover, get her settled, her turn of foot in the last furlong should prove decisive.

Sandiva can make it three out of three in the Albany
The juvenile fillies start the day off in the Group 3 Albany Stakes, run over 6f.
Richard Fahey’s filly Sandiva has done nothing wrong so far, winning two out of two, the second being a Listed race at Naas in May, which she won without having to be fully extended.  She is a half-sister to Wentworth, fourth in the mile Britannia Handicap yesterday, and should have both the speed and stamina for this.

Leading challengers include Joyeuse, Wonderfully and Wedding Ring.

Go into Battle in the King Edward
The Group 2 King Edward VII (3.05) over 1m4f is the race for the leading middle-distance three-year-old colts who either did not make it to the Derby or who were not quite good enough on race day.

Battle Of Marengo is one from the latter group, though he still finished a creditable fourth at Epsom. He is easily ahead of this field on official ratings, and as long as the Derby effort has not taken too much out of him, he should show his rivals clean pair of heels here. Contributor could be the one to follow him home.


Get Fatt in the Wolferton
There has been early morning money for Fattsota in the 1m2f Wolferton Handicap (4.25), who was a dual winner over course and distance last year.  He was sent on his holidays over the winter to Dubai where he ran twice, finishing second once. He was then out of his depth in the 1m4f Group 3 John Porter Stakes, but subsequently ran well in a handicap at Epsom, despite not handling the track. He looked then as though further should suit and this stiff 1m2f should be ideal.

A Queen’s Vase for Team Cecil?
The Queen’s Vase is being run in memory of Sir Henry Cecil (a race he won eight times) and Lady Cecil will be represented by Disclaimer, who is bidding for a fifth win in succession. Last time out he beat Contributor (runs in the King Edward VII) with some ease, and although he has never run further than 1m3f, his dam won over 1m6f.

Leading Light won a Group 3 last time and although his pedigree does not appeal on the stamina front, he runs in the style of a true stayer.

The market has these two way ahead of the field – most of which look as though they are in this because they have few other options at Royal Ascot – and it will probably prove wise to stick with either or go with both.

Baccarat, Bertiewhittle and Redvers are options in the last
The last on today’s card, the 7f Buckingham Palace Handicap (7f), is another open-looking handicap, with only Enrol (7-1) priced lower than 10-1.

Baccarat won twice over 7f last season and dead-heated over 6f at Ripon in April on his first start in 2013 having not run since June last year. He is clearly a fragile horse to train, and has been raised 10lb for that last success.

Bertiewhittle finished second over course and distance in May in the Victoria Cup behind Excellent Guest, who was ninth in the Royal Hunt Cup earlier this week.  He gets into this on a handy weight and is worth consideration, as does Redvers, fourth in that Victoria Cup and a winner last time on firm ground at Haydock. He is in form and if gets the run of the race – he needs to be held up – is a strong contender.

#AscotAsks Sasha Wilkins, Fashion Tips And Trends For #RoyalAscot

Sasha Wilkins in New York by Jackie Dixon

1. What fashion advice would you give to men going to Royal Ascot?
I’ve never met any man who doesn’t look extremely good in a well cut suit. Although the Silver Ring doesn’t have a precise dress code, those who look best are always those who make an effort. For those in the Royal Enclosure who are hiring a morning suit, do make sure you try it on beforehand: badly fitting coats ruin the look!

2. How did you get into fashion and blogging?
I started out at British Conde Nast, the home of Vogue, as second assistant to the editorial director (I make a very good cup of tea). When I moved to Manhattan in 2007 I started a daily online diary, which evolved into my now full time job of running LibertyLondonGirl

3. How do I make my outfit stand out from the crowd this year?
Colour! Black is definitely to be avoided. I covered Ascot fashion for the BBC for four years and the people who always looked and photographed best wore colours like bright pink, yellow and orange. If you don’t like brights on your body, go for neon coloured shoes or bags. And, of course, a great hat!

4. Which style of hat do you prefer?
I’ll be lucky enough to be in the Royal Enclosure this year, which means my hat base has to be bigger than 6cm, so I've ordered a quite a large navy blue circle with flowers underneath, that perches on the front of my head, from milliner Edwina Ibbotson. Think satellite dish!

I do like a spotted net veil too, given half a chance. New online hat rental service The Hat Club has some really good Ascot options this year.

5. What should I take as outerwear if the weather is unpredictable?
A brolly is your best bet. It’s rarely that cold at Ascot even if it is pelting down. I take a fine cashmere shawl that can fold up into nothing, and a stylish cream pagoda umbrella. Why ruin your look with a folding black umbrella!

6. What are the key colours for this season?
I always say choose what suits you: yellow is key this season, but it’s a tricky colour if you are milk bottle pale like me. Better to be stylish than fashionable.

7. Are flats or heels best for a day at the races?
I’m a fashion editor: I’m always going to say heels! But, please, NEVER platform stripper heels. Nothing looks worse than girls who can’t walk in their shoes. If you can’t face a 4” stiletto like me, then there are lots of mid height heels around this season, and I've been known to take a pair of those clever tiny folding ballet flats in my bag for the walk to and from the station – which is a good ten minutes, and impossible in anything higher than 3”.

8. If you’re on a tight budget, how do you ensure you still look great?
Immaculate grooming: lovely clean shiny hair, painted nails and toes, and a bright lipstick – red for brunettes, orange for blondes, either if you have darker skin. And do wear a hat: they aren't all expensive, try renting or check out Stephen Jones’ wonderful new collection of hats for Designers at  Debenhams

9. Finally, what are you most looking forward to at Royal Ascot 2013?
The designer Suzannah has made me the most beautiful navy silk prom dress to wear on Ladies Day, and I cannot wait to wear it. I would also like to not lose any money with the bookies!

To find out more about Sasha Wilkins, visit her interesting blog LibertyLondonGirl.

#AscotAsks Martha Ward, Key Fashions And Trends For #RoyalAscot

1. Have you got any advice for what colours and patterns are in season this year?
We go through multiple shades each season, but right now it’s all about pinks & reds. And there’s always a place for neutral shades. Print wise - florals of all varieties are big this season, as is snake print.

2. What do you advise this year, flats or heels? And if you can’t wear one of these?
Rather brilliantly it’s all about the flat this season. And kitten heels are all the rage too. Hooray for the ladies!

3. If you’re on a tight budget, can you suggest how to look fabulous?
The high street in the UK is so completely brilliant that dressing on a budget is really no difficulty. Some of my favourite dresses are from H&M and Zara and people still exclaim surprise. My advice is to steer clear of fabrics that look synthetic (i.e. shiny), and too tight or too short never helps, so try and go more classic in style; and to accessorize well - necklaces etc - as that often makes something appear more high end.

4. What size of bag do you suggest for a day at the races?
Although a clutch might be the natural suggestion, the reality is that you need your hands for drinks, bets, and cheering at the finishing line, so I always encourage a ‘hands free’ bag -  i.e. one that has a long-ish strap so that it can sit on your shoulder, or across your body. And not too large or it overtakes the outfit.

5. Is it better to stick with seasonal trends or stand out from the crowd?
Sometimes seasonal trends will MAKE you stand out from the crowd! So don’t be too steered by what’s hot and what’s not. Be comfortable, and if it happens that you are partial to a floral or to red, and that’s the hottest thing right now, then so be it.

6. Can you suggest what to wear to look sophisticated when you are expecting?  
I think empire cut for a bump is a very elegant look. And if it’s a normal dress then you can create the empire line effect by belting loosely just above the bump.


7. How did you get into the Fashion world?

Kind of accidentally actually. I was working at Conde Nast, as magazines was always where my interest lay, and a job came up at Tatler, so I applied for it (with the lovely Natalie Massanet and Kate Reardon) and was offered it, and it was like a duck to water!

8. We all know what the British summer is like, what’s the best way to cover up from the elements in style?
I love a longer sleeve on a dress, so I’d go for that option as there are never any guarantees on weather.  Then you don’t have to worry about outerwear. Or a long line coat over a dress is a very elegant look.  I personally prefer that to a short jacket.  Unless it’s a skirt and top, then a jacket is preferable. Rules rules! Actually, there are no real rules in my book.

9. What are your thoughts on his and hers matching outfits? 
It reminds me of Posh&Becks circa 2000, so I’m veto-ing that look I’m afraid.

10. Finally, what are you most looking forward to at Royal Ascot 2013?
Seeing the lovely Royal Ascot team first & foremost! And pulling out my prettiest outfits to wear, as it’s one of the few occasions when you actually can (and must) do so. I love being a Lady on Ladies Day! Make the most of the dress code I say.

To find out more about Vogue TV's Martha Ward visit her website or to book Royal Ascot tickets visit ascot.co.uk.

#AscotAsks Piers Attkinson, Millinery Trends for #RoyalAscot

1. What are the key trends and colours for this season?
In my collection the trends are ‘Hollywood Glamour’ and the colours are black, silver and dusty pink.

However in fashion today there is a sense of ‘anything goes’ so you have to follow your own instincts as far as what suits your own particular shape, age, colour and so on, but the fun thing about Ascot is working your own, individual style into the Ascot dress code. But if you want my personal advice I think that the trend for digital print is a great one to follow and it gives you lots of exciting elements to match to your hat, bag, shoes, binoculars, etc.

And remember; the neck is a very beautiful part of a woman so please pull your hair up and wear your hat into this! You will look amazing!

2. Can you suggest a way to look amazing with a limited budget?
One lovely trend is to see designer labels at reasonable prices in collaboration with the high-street – so that is one obvious way.

Another trick is to jazz up an old favourite with a new pair of shoes or (and here comes the plug) a HAT! But the most important way to look amazing is to feel confident about yourself, walk well, stand up straight and hold your head up!

3. What trends are you expecting to see at Royal Ascot this year?
I’d like to see more wide brims on the hats – and less of the ‘saucer’ shape. Think ‘My Fair Lady’!! But I expect to see a lot of colour as this is an area where confidence is growing.


4. How do I keep my hat in place and curtsey at the same time?
Great Question! You should have an elastic that goes round the back of your head on the smaller hats that sit on top of your head, the bigger ones shouldn't fall off if they fit properly, but you can always add in a small comb or sew in tiny loops to the inside of the hat and use hairgrips – but my honest suggestion is to practice your curtsey as the body should dip but the ladies head only bows forward a tiny bit while the back stays upright! (imagine you are wearing a corset).

5. What style of hat suits a bigger head and hair?
I always think that it is more the whole body shape rather than the actual head size. Shorter ladies will disappear under a huge brim, broad ladies look broader in a small percher hat – so look at your whole silhouette.

6. Is it best to match your hat to your dress or vice versa?
Most of my private clients ask me to match a hat to a dress they have, however one customer recently bought a hat and said she would go and find the dress to match! I would say that if either a hat or a dress grabs you then start with that and then go on a hunt for the rest of your outfit.

7. How important is millinery at Royal Ascot?
VERY important! I hadn't been until I was lucky enough to go on Ladies’ Day as a guest of Ascot a few years ago. I couldn't believe how many hats were there; everyone has a hat and you would feel so out of place if you were without one, although a hat is a dress requirement. I think that what might feel outrageous for a novice hat-wearer at home will suddenly feel perfect in the grounds. Some hats are wonderful, some are terrible, but that is half the fun; looking around and thinking ‘Yes!’ or ‘NO!’ but they are ALL wearing hats.

8. Where do you get inspiration for your designs from?
From everywhere, an exhibition, a conversation, lots from gardening and walks in nature. A lot from my sense of humour and a sense of ‘can I get away with this?!’ but also from the amazing women I meet. I think to myself ‘this would be amazing on Erin’ or ‘Lecia would LOVE this!’ and then I know I'm onto something.

9. How would you describe your style of hats?
Generally witty and fun, but I have made a lot of chic hats recently – does that mean I'm getting safe? I am very fussy about the line of a hat and how the hat and the trim work with each other and the human form. A hat should work with the body, not against it.

10. Finally, what are you most looking forward to at Royal Ascot 2013?
Winning a huge bet!

For more information on Piers Atkinson visit his website, or for Royal Ascot visit ascot.co.uk

Master Milliner Stephen Jones

Yesterday we caught up with the master milliner, Stephen Jones, at Coworth Park for a quick chat about key trends for Spring/Summer 2013 and of course, the highlight of the millinery calendar... Royal Ascot.



World-renowned milliner, Stephen Jones, is curator of the Headonism initiative, which with the support of the British Fashion Council and sponsored by Royal Ascot, showcases a selection of the newest and most exciting millinery talent. Expectations are high with the summer social season just around the corner and an array of exciting fashions and millinery on offer!




You started your career by studying fashion design at Central St Martins - how did you end up working with hats?
I was a tailoring intern as I wanted to improve my sewing skills and was then transferred to the millinery workroom.

How would you describe your style of hats?
‘Elegant humour’

What materials and techniques do you favor?
The most classic material such as, pure white cotton, perfect black velvet and lustrous pink satin, or Day-Glo plastic.

Where do you get inspiration for your designs?
By everyday life.... but in particular, architecture

What are your top tips for Spring/Summer 2013 style?
The Duchess of Cambridge is still a front-runner on this front, but I expect a softening of her signature chic.

What are your key colours/designs for this Spring/Summer?
A lot of soft grey, blue and white, spiced with hot pink and vivid turquoise.

Is it best to match your hat to your dress or vice versa?
It’s best to match your hat with your face and then your clothes will follow on from that.

Should the hat be the focal point of the outfit?
No, the hat shouldn’t be the focal point of the outfit. The hat is merely a frame but it can be a conversation point too.

As curator of Headonism, how does it feel to be an ambassador for millinery?
It’s a tremendous honour and I am delighted to be able to mentor and ease the path of young British millinery talent.

Do you have a favourite type of hat?
Yes, a Top Hat or developments of a Top Hat because it always adds sex appeal, whether the wearer is male or female.

How important is millinery to Royal Ascot and British culture?
Together with the attendance of The Royal Family of course and the wonderful horses it is millinery and fashion that make Royal Ascot one of the most special events in the world.

A selection of Stephen Jones' designs can be found on our Royal Ascot Style Guide video.

New Dress Code Takes Effect Next Week

Special Team of Dress Code Assistants on Hand to Help Racegoers

 

Ascot, UK, Friday June 15, 2012: Approximately 300,000 horse racing and fashion fans will

attend the five-day Royal Meeting which starts on Tuesday (June 19th). The event – one of

the most prestigious race meetings in the world – sees the introduction of a new dress code for racegoers visiting the Royal Enclosure and the Grandstand Admission area.

 

In order to ensure that this is implemented as smoothly as possible, a specially trained team of dress code assistants will be on hand outside the course to assist racegoers who may have any issues with their attire. A selection of waistcoats, ties, pashminas and other items will be available at the turnstiles for those who need them.

 

Attire by Hobbs and Hats by Ilda Di Vico

 

The new dress code was first announced in January and reminders were sent out with

badges and tickets.

 

Style Guides have also been distributed and can be seen online at:

• http://www.ascot.co.uk/go/rencstyle for the Royal Enclosure; and
• http://www.ascot.co.uk/go/gastyle for Grandstand Admission.

Highlights

• For ladies in the Royal Enclosure, dresses and skirts should be of modest length defined as falling just above the knee or longer.
• In the Royal Enclosure, hats should be worn; a headpiece which has a base of 4 inches (10cm) or more in diameter is acceptable as an alternative to a hat.
• For gentlemen in the Royal Enclosure, it is a requirement to wear either black or grey morning dress, which must include a waistcoat and tie (no cravats), a black or grey top hat and black shoes.
• In Grandstand Admission, a hat, headpiece or fascinator should be worn by ladies at all times. Strapless or sheer strap dresses and tops are not permitted. Gentlemen are required to wear a suit and tie.

Charles Barnett, Ascot Chief Executive said:

“Ascot is Europe’s flagship race meeting and one of the world’s greatest sporting and social events. We have tried to provide an appropriate dress code that is clear, workable and in line with the wishes of racegoers. Over the last few months, a huge amount of planning has gone in to making sure that the implementation of the new code goes as smoothly as possible. During the meeting itself, our team of special dress code assistants will help people with any queries that they may have.”

#AscotStyle with Lisa Armstrong

In the run up to Royal Ascot, some weeks ago, we invited Lisa Armstrong, Fashion Editor at the Daily Telegraph to take over the @AscotInsider twitter feed and share her styling advice as well as answering any questions put to her.


Both on twitter and in her weekly column in the Saturday Magazine, Lisa spoke of millinery, how to avoid looking too ‘matchy-matchy’ and this season’s bold use of colour and print. Here is a round up of her style advice, ahead of Royal Ascot.




Hats, headpieces and fascinators:

Of headwear trends, Lisa believes that “where people may not previously have worn hats, many will sport headpieces (not to be confused with fascinators).”

In line with the new Royal Ascot dress code, fascinators are no longer allowed in the Royal Enclosure but headpieces with a diameter of 4 inches/10cm or more, as well as hats, are still welcome.

Lisa recommended milliner Bundle MacClaren for stunning head pieces and hats that are relatively inexpensive, but also commented on how brilliant the offering from Marks and Spencer’s is this year. Royal Ascot also has a longstanding affiliation with milliner Stephen Jones whose designs this season are, as always, exceptional.

Jackets, Coats and Coverups:

To avoid looking too ‘matchy-matchy’ and with a typical, unpredictable summer in mind, Lisa suggests a Chanel style jacket as a great cover up that will add a little texture to an outfit. She advised being wary of the length, as too long can look frumpy and too short may appear boxy. She suggests Zara, River Island and Malene Birger as having great high street options.

As well as jackets and pashmina’s Lisa sighted the summer coat with bracelet sleeves as an elegant way of keeping out the chill and again, introducing a little texture and perhaps some print.

Tailoring and Fit:

Believing that “fitted is better than loose” Lisa recommends having clothes bought from the high street tailored to fit if the shape is not quite right and belting more voluminous pieces at the waist.

Colour and Print:

A big trend this season are colour clashes, Lisa suggests being bold with colour and clashing in blocks – a fuchsia dress with an orange shoe. In terms of print, floral is always a quintessentially British but Lisa suggests tribal to be a modern and eye catching alternative.

Maxi Dresses:

Avoid maxi dresses is Lisa’s advise, they can be tricky - looking either too beachy or too much like evening wear.

Lisa’s Favorite Ascot Look:

A smart suit for a modern take on formal daywear dressing or a ‘50s midi prom dress with a cropped cashmere cardigan…“a playful alternative to the traditional suit.”

Headonism: Milliner, Stephen Jones Speaks of His Collaboration with the British Fashion Council and Royal Ascot

London Fashion Week is over and the Headonism exhibition finished, until we welcome its installation at the racecourse over Royal Ascot. 


In the mean time, the video footage below takes a tour of Headonism at Somerset House; hear the thoughts of Stephen Jones, the exhibiting milliners and Director of Hospitality at Ascot, Gary England. 





For more information on Headonism, click here.
To book tickets for Royal Ascot (Tuesday 19th - Saturday 23rd June 2012) click here. 

Headonism: Royal Ascot Partner with The British Fashion Council to Promote Emerging Milliners

As London Fashion Week begins on Friday, we’re thrilled to announce that we’re once again involved with Headonism; an exhibition to support and showcase emerging millinery talent curated by Stephen Jones. We’ve formed a partnership with the British Fashion Council to provide the perfect platform for a handful of the finest young hatters to display and promote their wears to international buyers and style press. This season milliners, Charlie le Mindu, J Smith Esquire, Noel Stewart, Piers Atkinson and William Chambers have been chosen to show.

 

Stephen Jones



As our Chief Executive, Charles Barnett, explains “Millinery is an integral part of fashion at Royal Ascot” and so we feel it important to support and nurture the talent of emerging designers. For the first time, racegoers attending the week itself will also be able to view the Headonism exhibition as we play host to the instillation throughout the week of Royal Ascot.

Headonism launches with a special brunch on the first day of London Fashion Week at the British Fashion Council’s head quarters, Somerset House. Follow us on Twitter and Facebook for all the latest updates directly from the launch on Friday.

Royal Ascot Sponsors Headonism at London Fashion Week

Ascot Racecourse is proud to be working together with the British Fashion Council (BFC) in sponsoring the BFC’s Headonism initiative during London Fashion Week on Friday 16th September. This partnership reflects the British Fashion Council’s aim to support emerging British design talent, providing an additional showcasing opportunity to an audience of racegoers from around the world. The initiative curated by Stephen Jones, celebrates the new wave of emerging London milliners. It was launched during the BFC’s 25 Year celebrations by Mayor of London Boris Johnson. The four up-and-coming milliners who will be showcased are J Smith Esquire, Noel Stewart, Piers Atkinson and Charlie Le Mindu. Please see their biographies below:

Charlie Le Mindu

Born in Bergerac, France, Charlie Le Mindu was a hairstyling prodigy at the French Hair Academy, cutting and styling hair from the age of thirteen. Le Mindu ascended from boarding school disciple to a fashionable hairdresser/stylist in Berlin and is now London’s French Master of Haute-Coiffure.

In Berlin, Le Mindu established himself as Resident Hairdresser at nightclubs such as White Trash, RIO Club, and Barbie Deinhoff's. He performed "Live Cuts" in his champagne suite at countless private parties and set up several ensuite salons. He cultivated his own technique and style, known for creations ranging from classic to trashy, wearable to insane.

The French designer set up his East London flat and hairdressing residencies around the city’s nightspots and developed a regular clientele including Carrie Mundane, the B52s, Adamski, Peaches, and Jodie Harsh. Charlie Le Mindu drew inspiration from local East London personalities like Slayer, John Waters and even animals, claiming that “The hair is so much more interesting here!’”



The infamous milliner, Stephen Jones



After being featured in Vogue Russia, Elle, French Vogue and being selected as the Observer’s 22nd coolest person, Charlie decided to take hairstyling to the next level. In February 2009, Charlie launched his first wig collection at London Fashion Week, surprising London’s fashion scene with his dramatic large scale wigs.

With his fourth collection underway, The Master of Haute-Couiffure has now been featured in publications such as Vogue Italy, Vogue Hommes Japan, i-D and The Guardian. His repertoire of clients includes the likes of Lady Gaga, Kap Bambino and Ayumi Hamasaki, to name a few. Having being exhibited at the V&A in London and opening the Art Athina fair in Greece, Charlie Le Mindu’s work truly transcends the boundaries of fashion. Charlie currently hosts the hit TV Show Charlie’s Treatment on Konbini, receiving 2 million views in the first two weeks. If that wasn’t enough, his up-coming collaborations include projects with Machine-A and Disneyland Paris.

J Smith Esquire

Following a successful hairdressing career culminating in several awards and his own exclusive salon called ‘And people like Us’ J Smith Esquire began designing and making hats in 2000 while undertaking part time millinery training. In 2007 Justin completed a two-year MA in Millinery from the Royal College of Art, at which his graduate show earned critical acclaim.

Since then Justin has gone from strength to strength winning the iD styling award and the Maria Louisa award at ITS6. His first collection debuted in 2007 at London Fashion Week under the New Generation sponsorship scheme and marked the beginning of a hugely successful millinery career.



Stephen Jones's masterpieces at the
Royal Ascot Fashion Show 2011



His creative eye and innovative vision knows no bounds and whilst creating his own collections seasonally he is also regularly approached to collaborate. To date, Justin has created headpieces for a number of high-end designers including Moschino, Manish Arora, (Es*) Artsinal, Aganovich, Carolyn Massey and Aminaka Wilmont.

Whilst Justin’s artistic flair is a prerequisite for designing such beautiful millinery, so too is upholding the traditions which accompany the trade. Time-honoured techniques are an integral part of the final outcome, as is using quality materials and craftmanship. After a successful time at the RCA, he has now become a respected teacher and visiting lecturer at the Royal College of Art.

2010 was a particularly successful year for Justin accumulating in him being named the British Council’s Young Fashion Entrepreneur of the Year as well as being invited to showcase at Italian Vogue’s Young Talent Exhibition. This paved the way for his AltaRoma debut that took place In January 2011 which in turn led to a prominent display at the Limited/Unlimited exhibition.

Justin has numerous stockists and supporters around the world and continues to show at London, Paris and Rome Fashion week.

Noel Stewart

Noel Stewart is a London based milliner with international status. Taking inspiration from sources such as contemporary art and architecture and fusing them with historical references he modernises millinery with his fresh look at how we dress the head.

Before attending the Royal College of Art to do his masters, Noel had already worked with designers Dai Rees and Stephen Jones. This included time spent as Stephen Jones’s assistant at Christian Dior Couture.

Since establishing his own label Noel has designed hats for leading fashion designers such as Roland Mouret, Marios Schwabb, Roksanda Ilincic, Erdem, Hussein Chalayan, Diesel, Marc by Marc Jacobs and Oscar De La Renta. His continuing relationship with such designers reflects the importance of his role in the fashion world.



Stephen Jones's masterpieces at the
Royal Ascot Fashion Show 2011



Off the catwalk Noel Stewart has acquired a loyal fan-base. His hats have been worn by the likes of Kiera Knightly, Lilly Allen, Kylie Minogue and Beth Ditto.

Noel receives ongoing, widespread press. His hats feature regularly in magazines such as Vogue UK, Italia, Russia, China, Japan as well as Harpers Bazaar, Dazed and Confused, ID, V Magazine, LOVE, Another and 10 Magazine.

His ability to create high quality hats that have impact has led to his creating the hats for Britney Spears’s and Kylie Minogue’s world tour.

Noel’s work has also had an important role in the Stephen Jones – anthology of hats exhibition at the Victoria and Albert Museum which opened to record visitors in Brisbane and is opening in New york in September. Noel Stewart Millinery is currently stocked in Barneys New York, Alan Journo - Milan, Hatwoman and IT- Hong Kong, Test –Tokyo

Piers Atkinson

Artist, illustrator, milliner, costume designer, party organiser, fashion editor, and project manager – his creative energies only seem to be matched by an insatiable curiosity.

Stephen Jones's masterpieces at the Royal Ascot Fashion Show 2011

He grew up in Norfolk with three generations of women – his mother, herself a milliner; his sister Lucy, the long-suffering photographic model for his teenage reconstructions of Grace Jones and Art of Noise record covers; and his grandmother, the artist/writer/horticulturalist and illustrator Lesley Gordon, from whom he took his multi-disciplinary cue.

Piers has had many great influences down the line, from his mother the theatrical milliner Hilary Elliott, at whose knee he learned hat-making as a youngster, to Stephen Jones, who paid a brief but memorable visit to his grad show at University of Bristol, where he studied graphic design and photography.

Moving to London in 1995, he helped out at that year’s Alternative Miss World, the brainchild of artist Andrew Logan, now an occasional collaborator but constant inspiration to Piers: ‘He helped me see the rich possibilities of free-form events and a ‘just do it’ attitude.’ Much of which, it should be pointed out, could be seen in the successful Show-Off nightclub events that Piers co-created from 1999 to 2001. He also showed a range of his idiosyncratic and charmingly anachronistic character sketches in a joint exhibition, which included Logan, in 2002, and Maria Chen curated Oki-Ni exhibition in 2004.



Stephen Jones's masterpieces at the
Royal Ascot Fashion Show 2011

In 1999, Piers moved in as a lodger with iconic fashion designer Zandra Rhodes, who he assisted with art direction and in-house PR. ‘She instantly cured my captiousness with colour!’ reveals Piers. When Rhodes became a client of PR powerhouse Mandi Lennard, Piers took a post there assisting Mandi, who gave him many of her unique insights into the fashion world. After a similar stint at Blow PR, he joined Disorder Magazine as fashion editor for a shelf-full of issues. It was in this capacity that he proposed a newspaper for Graduate Fashion Week, featuring a star column by the Daily Telegraph’s fashion director, Hilary Alexander. This later led to Piers creating a daily for London Fashion Week (scouting Jenny Dyson of Teen Vogue as co-editor), a stressful but rewarding experience. One of the rewards was the small range of hats he created during this time to ‘let off steam’ – a collection that became his debut collection. He has since collaborated with Noki for his Spring/Summer ’09 presentation at Shoreditch’s White Cubicle, shown off-season at the East End’s fashion hang-out Beach Blanket Babylon and is currently in talks with designers across the pond…



Piers also works as a trend consultant with major organisations and brands, teaches Fashion PR at several universities, and continues to support new talent in the fashion industry in as many ways as he can.

London Fashion Week takes place from Friday 16th to Wednesday 21st September.

Review of today’s Group 1 Gold Cup

For the sixth year running the Group 1 Gold Cup was won by Ireland as Fame And Glory proved far too classy for his rivals under jockey Jamie Spencer. The pair surged clear down the home straight to record a three-length victory over the Godolphin-owned Opinion Poll in second.

It was the fifth time in six years that Aidan O’Brien was responsible for training the winner after the achievements of record-breaking winner Yeats and this victory hinted that another dynasty could be about to begin. Punters poured their money into the four-time Group 1 winner as he looked to notch another top level success over the furthest trip he had tackled. An opening show of 5/2 was soon taken and he was sent off the heavily backed 11/8 favourite when the gates opened. Richard Hills led the field at a fairly sedate pace on-board Tastahil as the 15 runners passed the post and headed out past the Grandstand.

Geordieland, a dual runner-up in the race and returning to the track for the first time in 643 days, wasn’t going quick enough though and he swept round the field to take up the running and inject some pace into proceedings. While all this was happening Fame And Glory was tucked away on the rail, saving ground on the inside and travelling sweetly for his rider. Entering the home straight Manighar hit the front but Fame And Glory followed and when he found the far rail the race was as good as over. Spencer kept the son of Montjeu honest all the way to the line and, although it briefly looked as though Opinion Poll might reel in the Ballydoyle horse, he found more at the business end to score by a comfortable margin.

The winning jockey said the race went like clockwork: “It was a very easy, push-button ride.
It was a great training performance.” On that subject, the winning trainer couldn’t hide his elation: “I'm delighted for everybody and for Jamie who gave him a great ride. Thanks to everybody for letting a horse with his class run in the Gold Cup. You don’t see many mile-and-a-half Group One winners running in a Gold Cup. When horses have so much class they can often stay - class makes them stay but it's the ultimate test when you go that extreme distance. I'm just very privileged to have him.”

Given the achievements of his former stablemate, comparisons were immediately made to Yeats and, when drawn on the question of whether the winner would return next year to defend his crown, O’Brien simply remarked: “The Gold Cup next year? Wouldn't it be marvellous.”

Result – 2011 Gold Cup
1st Horse Fame And Glory 11/8F
Jockey Jamie Spencer
Trainer Aidan O’Brien
Owner D. Smith/Mrs J. Magnier/M. Tabor/Mrs F. Hay
2nd Opinion Poll (IRE) 16/1
3rd Brigantin (USA) 16/1

Royal Borough of Windsor and Maidenhead Recycled Fashion Competition

On Saturday 26th March the Royal Ascot-themed recycled fashion competition entries were judged and a winner and two runner-ups were chosen. The winning designs are below and will be displayed in the Core 4 window during Royal Ascot in June, so why not check them out.

Winner: East Berkshire College
· Naa Williams
· Tyler Halstead,
· Georgia Nutkins
· Jessika Downing
· Kabir Sagoo
· Aneesa Farooq
· Katy Noga

Inspiration

Students from the 1st and 2nd years of the BTEC Diploma in Art and Design at East Berkshire College worked together to create their recycled outfits for entry to the ‘Ascot recycled fashion’ competition organised by The Royal Borough of Windsor and Maidenhead.

The creative design used unconventional materials which included willow, newspaper and carrier bags as well as a recycled waistcoat and other fabrics.

Runner- Up : Claudia Moreira

Inspiration

This floral piece was inspired by the sight of the beginning of spring, noticeable in the Berkshire area. An old Japanese pleating technique was used to form each flower. Pages of a horse racing book found in a local charity shop were incorporated into the design. The rest of the materials include a piece of wire and an old headband covered in fabric.

Runner- Up : Heather Atkinson

Inspiration

This outfit for Royal Ascot is totally recycled using a vintage second hand dress in royal blue polkadot, this year’s high fashion. The Tutu skirt and corset with matching hat reflects the social excitement of the Royal Ascot Race Meeting. The hat represents champagne bubbles, twinkling playfully in the brim with two cocktail sticks and cherries.

Items used in the making of this piece include an old vintage dress, curtain tape, an old necklaceand materials sourced from local charity shops.

Win 2 Grandstand Admission tickets to Royal Ascot

This competition has now closed. Thank you for all the #RT.

The Royal Ascot early booking discount, which can save you up to £10 per ticket (excluding Thursday 16th June), ends this Friday 13th May at 6pm. For your chance to win 2 Grandstand Admission tickets to Royal Ascot on Tuesday 14th June re-tweet our twitter message and you will be entered into a prize draw. Ticket start from as little as £17 up until Friday 13th May, so make sure you get yours before prices increase!

Silver Ring tickets are now SOLD OUT for Saturday 18th June!!!

To purchase tickets for Grandstand Admission or Silver Ring please visit ascot.co.uk or call our sales team on 0870 727 1234.

Terms and Conditions

1. The @AscotInsider message must be retweeted prior to 6pm on Thursday 12th May to be eligible for the Prize Draw.

2. Competition closes at 6pm on Thursday 12th May.

3. Offer only open to followers of @AscotInsider on Twitter http://twitter.com/AscotInsider

4. No cash alternative is available and all prizes are non-transferable and non-refundable. Tickets are not for resale and cannot be used for commercial use or use in further promotions.

5. Only 1 twitter follower will win the tickets & will be notified by Monday 16th May.

6. Tickets will be dispatched within 5 working days.

Promoter: Ascot Racecourse, Ascot, Berkshire. SL5 7JX.

Sophia Loren leads the field

The Italian screen legend graces Royal Ascot

Part 6 in our occasional series of retrospective photographs from the past 300 years of Ascot history looks back at Sophia Loren at Royal Ascot in the 1960s.

The Ascot Royal Enclosure has always played host to famous international figures. But whereas in the eighteenth and nineteenth centuries they were most likely to be foreign royalty and international statesmen, in modern times you are equally likely to see some of the biggest names in Hollywood, dressed and styled by some of the biggest names in couture fashion.

In 1922, the Times cor;respondent was writing that “Ascot is notoriously the best place in England to see beautiful women in beautiful clothes”, and as a stunning Sophia Loren so elegantly demonstrated in this exquisite and classic white ensemble, things have remained unchanged ever since.

A reflection of society

Part 5 in our occasional series of retrospective photographs from the past 300 years of Ascot history looks back at a reflection of society in the 1920s at Royal Ascot.

Today all kinds of people rub shoulders at Ascot – stars of sport and entertainment, from home and abroad, racing devotees mingle and novices, aristocracy, royalty, and ordinary men and women from diverse backgrounds. But at times over the course’s 300 year history, when mixing the sexes and different classes of society was unthinkable, the social divisions between men and women, rich and poor, were made very clear at the racecourse.

When the new Iron Stand opened in 1859, it was completely barred to women; divorced men could enter but were barred from the Royal Enclosure. The fashionable London clubs such as Whites, and the “smarter” regiments provided refreshment tents - but entry was naturally by invitation only.

In the 1850s and 1860s more trains were needed for guests and staff travelling to the increasing number of house parties hosted by the great and good during Royal Ascot week. But soon the well-to-do started choosing to travel apart from the crowds in their own carriages, which also acted as private grandstands once they reached the course.

In this picture from the 1920s, the lucky few in their private carriage are even further set apart from those below them in the crowd by their very different attire.

The 'My Kingdom for a Horse' Exhibition at Royal Ascot

Internationally renowned photographer, Alistair Morrison, will be producing an exhibition of photographs to be displayed at Ascot Racecourse, commemorating its historic tercentenary landmark in 2011. The exhibition, titled ‘My Kingdom for a Horse’ aims to showcase the acclaimed photographer’s images depicting scenes around The World’s Most Famous Racecourse.From the fashion and tradition of the Royal Meeting, to the stewards, stable lads, jockeys and racing lovers, the series of photographs are a reflection of the diverse characters that have made Ascot such an institution in British culture. This definitive collection records and celebrates the heart and soul of Ascot Racecourse in its 300th year. Alistair Morrison said: “My Kingdom for a Horse has been a project of commitment and passion, working closely with Ascot Racecourse for the last three years, to create a collection of photographs which depict all facets of character and life at this famous British establishment. From the power of the horse, the splendour of the fashion and the thousands of visitors welcomed through the gates, it all makes the racecourse unique and colourful yet still manages to hold onto and complement its all important traditions. “Working from early morning to late at night the new grandstand can be quiet yet still provides me with so many memories. First to arrive are the kitchen staff with their trolleys full, then the jockeys and their horses begin to familiarise themselves with the course and soon follow the TV crews and reporters practicing their introductions. As the mass of visitors arrive, the excitement and the anticipation of a great day fills the atmosphere. The tradition, the hats, the dressing up, it all makes for a very special day out which I have enjoyed capturing in this unique project.” The exhibition can be viewed during Royal Ascot in the marquee named My Kingdom for a Horse and around the grounds throughout the year. With over 80 photographs in the Trustee's Collection at The National Portrait Gallery, London, Morrison is considered one of the foremost photographers of the last three decades, with photographs ranging from great icons of yesteryear like Sir Laurence Olivier, Sir Peter Ustinov and Sir Alec Guiness; influential politicians Baroness Thatcher, Henry Kissinger and Hillary Clinton to figures of today such as Dame Helen Mirren, Kate Winslet, Jude Law and Tom Cruise.

Taking the racing line

Part 2 in our occasional series of retrospective photographs from the past 300 years of Ascot history looks back at a seemingly never-ending line of racegoers snaking towards the racecourse from Ascot train station in the 1930s.

Since the 1830s, when the railways opened up the race meeting to the masses, the journey by train to Ascot has been an important and exciting start to the eager racegoer’s day.

In 1873, the Times wrote “Never has the South Western Railway brought down such a heavy and fashionably filled train as that which …dispersed its contents over an Ascot radius of some half dozen miles or more, while the afternoon trains on the Great Western have filled the Royal Borough with…bustle and excitement.”

Our Facebook followers’ reflections of Ascot

Earlier this week, we asked our Facebook followers for their reflections of Ascot, and in particular Royal Ascot in June. We would like to take this opportunity to thank everyone for their time – we had some wonderful comments and memories. Here are just some of the best ones...

Lisa Ball Orchard: Because I haven’t been since my daughter was three months old, she’s now fourteen! But, we love the family days in the year as I have five kids and it’s such a good value day out!

Simona Quaresima: When you get down from the train to Ascot you just enter the city of horses. And when in that moment you look at your boyfriend it's just like the first time a kid enter the playground. He is the portrait of the happiness in his city of horses.

Emma Patterson: A great excuse to dress up and make a noise as your horse romps past the winning post!

Beau Caiger: To put the Bookies into administration!

Sam Rook: Jumps has the Cheltenham Festival, the flat has Royal Ascot, but this show is like no other!

Sue Barlow: I'm looking forward to it [Royal Ascot] because I'll get some peace! My daughter's 11 and obsessed with horses and the Royal Family. Royal Ascot is her idea of heaven, and she's been getting more and more excited for the last few weeks.

Carly Richardson: I'm looking forward to it as the Jump season is now coming to an end so I get to see Frankie in action again..... ♥ love going to Ascot as it’s our time off from working at our National Hunt yard so a big crowd of us go for end of season day out :) xx

David J Colbran: Looking forward to the excitement at the off, the wind, the crowd cheering, the faces, the bookies and their boards, the winning and losing and most of all getting close to the horses and feeling the ground vibrate as they rush past - magic!

Paolo Figini: Royal Ascot host the best races in the world and a great organisation. Amazing to hear all these different languages.

Dee Osmond: I travel every year to Royal Ascot from Northern Ireland and have done so for the last twelve years. I even went four years ago with a broken ankle! Ascot has the X Factor as far as racecourses go.

Lindsey Tomlinson: Yearly incentive to remove the boots and overalls and enter the world of racing at Ascot; Fashion, Pimms and the singing by the bandstand.

Les Taylor: I was born a bit too late to see Brown Jack win any of his Royal Ascot races but I have seen some of the other great ones, but this year will be something special.

And a beautiful poem from Debra Caunter to end with:

Oh little horsey with no name,
Being at Ascot is a betting game.
I'm coming there in May and June,

Roll on the summer cos it's coming soon.
Horses racing past the winning post,
That's when I celebrate my winnings with a champers toast.
Ascot is the place to be,
So enjoyed by friends, family including meeeee!